Alla COSSA, Francesco del s Oljemålningar
Vilja ID Bild  Oljemålningar Från A to Z       Information 
6177 Annunciation and Nativity (Altarpiece of Observation) df  Annunciation and Nativity (Altarpiece of Observation) df   1470 Tempera on panel, 137 x 113 cm, and 26,5 x 114,5 cm Gemäldegalerie, Dresden
6187 Madonna with the Child and Saints dfg  Madonna with the Child and Saints dfg   1474 Tempera on canvas, 227 x 166 cm Pinacoteca Nazionale, Bologna
6182 Saint Florian (detail) dfg  Saint Florian (detail) dfg   after 1470 Oil and tempera on panel National Gallery of Art, Washington
6181 St Florian (Griffoni Polyptych) dsf  St Florian (Griffoni Polyptych) dsf   1473 Oil on panel, 79 x 55 cm National Gallery of Art, Washington
6183 St Lucy (Griffoni Polyptych) dfg  St Lucy (Griffoni Polyptych) dfg   1473 Oil on panel, 79 x 56 cm National Gallery of Art, Washington
6179 St Peter and St John the Baptist (Griffoni Polyptych) drg  St Peter and St John the Baptist (Griffoni Polyptych) drg   1473 Oil on panel, 112 x 55 cm (each) Pinacoteca di Brera, Milan
6180 St Peter and St John the Baptist, details (Griffoni Polyptych) sdf  St Peter and St John the Baptist, details (Griffoni Polyptych) sdf   1473 Oil on panel, 112 x 55 cm (full painting, each) Pinacoteca di Brera, Milan
6178 St Vincent Ferrer (Griffoni Polyptych) dfg  St Vincent Ferrer (Griffoni Polyptych) dfg   1473 Oil on panel, 153 x 60 cm National Gallery, London
6185 The Crucifixion (detail) dsf  The Crucifixion (detail) dsf   after 1470 Panel National Gallery of Art, Washington
6186 The Crucifixion (detail) sdf  The Crucifixion (detail) sdf   after 1470 Panel National Gallery of Art, Washington
6184 The Crucifixion (Griffoni Polyptych) dfg  The Crucifixion (Griffoni Polyptych) dfg   1473 Oil on panel, diameter 63 cm National Gallery of Art, Washington
COSSA, Francesco del
Italian Early Renaissance Painter, ca.1435-1477 Italian painter. Together with Cosimo Tura and Ercole de' Roberti, Cossa was one of the most important painters working in Ferrara and Bologna in the second half of the 15th century. With them he shared an expressive use of line and solidity of form, but he also had a gift for decorative and anecdotal scenes, most evident in the frescoes in the Palazzo Schifanoia, Ferrara.



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